Hands
down, the absolute worst question a person can ask me is, “So what is your book
about?” And hey, it’s a fair
question! I mean, it’s what I’d want to
know. And yet for years I have cringed
even before the question is asked. I see
it coming, and my brain begins to shut down! As a writer I should actually have a pretty
thought-provoking, articulate way to express what I’m writing about. Yet this question signals a wad of grey, cotton-flavored
gum to materialize in my mouth and grow to enormous size. I have no words, I have no breath, I fear I
look like an idiot.
I
did, however, come up with a disclaimer that I’ve used for the last year or
so. I say, “Believe it or not, that is
the hardest question for all writers to answer.
I actually don’t talk about what I’m working on until it’s finished
because I find that drains the energy out of it.” That’s all true. I leave out the part about how most of us are
actually writing in order to find out
what our story is about. Feel free to
use my disclaimer until you figure it out!
Meanwhile,
in private I’ve kept a secret Word document that has grown to 8 single-spaced
pages where I practice writing my pitch –that elusive one sentence summary of
my story. It includes clusters of key
words, dictionary definitions, lists of descriptors I cannot use because time
and politicians have ruined these words for me –words like maverick. Additionally, in
my journal I often write about my
story. After reading Sarah Zarr’s essay Hold on Loosely at Hunger Mountain, I wrote for pages about The Question my first
chapter raises about the white hot center of my story. I made a few discoveries, circled them, and
they found their way into my Pitch Document.
The
other day, I think I got it! No
kidding! I think I got my pitch. (Dance of celebration!) I wrote it down, and I felt a physical ZING through the marrow of my
bones. Here’s how it happened. While my manuscript is out to some readers, I
was working on a query letter –which necessitates working on a pitch, and I
learned two things.
First,
in his publication How to Write a Great
Query Letter, Noah Lukeman boiled it down to the bare bones for me.
USE: AVOID:
• SPECIFICS • NAMES
• LOCATION • SUB-PLOTS
• TIME
PERIOD
• COMPARISON
to
another
book or character
He also suggested writing a
one-sentence version, as well as, several other expanded versions –three
sentences, five sentences, a paragraph summary, a page summary, all of which
have different uses. But if you can write
the one-sentence version it straightens out your priorities, and the expanded
versions get easier. That just helped me
focus! Thank you, Noah! I needed that. Boom.
Boom. Boom. I could do those things. The hardest was sticking to the white hot
center and avoiding the subplots.
The second thing that helped was a trip over to the
awesome YA Highway site, where if you
click on Agents and Editors you can
read published authors’ query letters that worked, as well as, the author and
agent’s comment on why! So I was reading
Kirsten Hubbard’s query to Michelle Andelman and Michelle’s analysis. Right off, the letter broke a lot of Noah
Lukeman’s rules, but Kirsten had the bare bones of what Lukeman asked for, and
I don’t think the letter would have worked without them. What sparked my own personal epiphany was reading
Kirsten’s letter sentence by sentence, stopping at each period to consider what
I would say for my own story. I read: Grace Carpenter longs to stand out, and
it sent me directly into my character’s white hot center.
Now I don’t think I could have arrived at my pitch
without:
1)
practicing
pitches even when I was still drafting
2)
writing about my
story
3)
focusing on
Lukeman’s bare bones
4)
or chasing down
the marrow of the story like Kirsten Hubbard.
The
biggest benefit? Honing my pitch has
inspired the absolute best revisions of my manuscript –especially chapter
one. I feel like everything I write now
has something to aim at!
So
what did I finally come up with? Click
on my Works in Progress link to
see! I’d love to know what you think and
how your pitches are coming along! As
for me, next time someone asks me what I’m writing about, I’m going to try out
my pitch! (Nervous!) I’ll let you know how it goes!
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