The
one thing I want as a writer is to get better.
But getting better has a price.
Embarrassment. No really! Glance one draft back, and I realize just how
bad it was. And the more quickly I get
better, the more intense the humiliation. My writing group just spent the past few
months reading my manuscript in progress.
While they read, I played around with it a bit. A bit?
Well, to be honest, I started tearing the whole thing apart and
restructuring it. I even wrote a whole
new Chapter One (version 9).
While reorganizing, I noticed things like the development
of the two main characters’ relationship occurred almost entirely in Chapter
Three. Other things happened like I went
back to scan Chapter One (Version 8) to see if I’d missed anything I wanted to
include in revised Version 9. My old
Chapter One read slow, flat, and purposeless.
And it was Version 8! Maybe I
should have celebrated my drastic improvement, but I spent a nauseous hour or
so realizing just how bad a draft my writing group was reading.
Which reminded me of another of my devastating writing
exploits. In grad school at NYU, I
majored in Educational Theatre, which fulfilled my theatre bug and proved
extraordinarily useful in teaching. But
what I really learned about theatre was that I loved making up the stories, and
I wanted to write. So my last summer in
New York, I took a creative writing class.
I was feeling a little queasy about story I had to turn in, even as the
computer lab printer spit it out and I dashed off to make twenty-five
copies. Oh well, I thought. You can’t learn if you don’t get feedback.
As I read my story aloud, that quiet came over the room
that is not a good quiet. Sometimes you
don’t even need actual feedback to get feedback. Your story can be so bad that the vibes reverberating
off the room speak loudly enough. YA
even then, my story featured a high school girl who excelled only at the
pottery wheel in art class. And there on
that wheel, she shaped a lump of clay so laden with symbolism that I’m sure even
people passing by on the street outside knew the clay was supposed to be the
girl’s identity. It was so obvious. It was so bad. It was so obviously bad my professor (who, in
retrospect, might have acknowledged my understanding of the need for an
external story) had no choice but to tear it apart on the spot, and I’m sure my
classmates wondered how I had the nerve to read it out loud.
Well, I wanted to get better. And I did.
Now I understand a story is not an essay. You are not necessarily supposed to make a
point so much as create as experience for the reader.
But that long, tearful walk through Washington Square
Park back to my dorm room is still pretty vivid. How had I not known the degree to which that story
sucked? Back at the dorm, I explained
what happened to my roommate. “You did
not write that! You did not read that to
the class! Did you know there’s a song
about that?” She promptly pulled a
Marvin Gay CD from her collection and played his song, “Piece of Clay,” for us
which features such lyrics as:
Everybody wants somebody
To be their own piece of clay
True everybody wants somebody
To mold them, shape them own way
To be their own piece of clay
True everybody wants somebody
To mold them, shape them own way
I kid you not. You can listen to it yourself here for the
full effect. I really needed to hear
that song. We both erupted into painful
fits of laughter, more tears streaming down my cheeks.
I
actually looked for my lump of clay story so I could excerpt its terribleness
here, but I must have burned it! So why
would I even admit to you that I had written something so truly bad?
Well,
remember the abandon with which I dashed to class and launched into reading
that story aloud? Somewhere, deep down,
I suspected there was something terribly wrong with my story, but I knew if I
was going to get better, I was going to have to hear about it. Sometimes, you’ve just got to go through with
exposing your worst to get better. And
if you can learn to love a Marvin Gay song that makes you laugh at how bad your
writing attempt turned out, I think you will be open enough to learn from
feedback.
So
this past weekend I met with my writing group.
And yes, there were parts of my manuscript that were still capital-B
bad. But what I really heard from my
friends was this: I had given myself a lot of gifts in that draft even if they
weren’t working yet, even if they were out of order or undeveloped or
disconnected. All I had to do was
reinvent them. My point? You just don’t get that far unless you’re
willing to show your lump of clay and laugh at yourself a little bit.
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